#Limit to your love piano free#

Blake won't name him вЂ“ 'He always says don't get him involved' вЂ“ but does mention that he played one of his records when he guested on Rob Da Bank's Radio 1 show (which suggests it might be James Litherland, who played with both Long John Baldry and Leo Sayer in the early-70s). Now 23, Blake grew up in Enfield, north London, the only child of a mother who was a successful graphic designer and a dad who was a musician. 'When I made it I was thinking: 'Is that sound in the right place in the audio field? Those improvisational blips I left in, are they right? Is that space between the two lyrics in Lindesfarne too long?' I was never thinking 'This is going to sound really good on the radio.'' Making music, he says, is 'something I've done all my life, for purely personal gain' вЂ“ and his album is the result of a lifelong obsession with his own, and no one else's, sonic pleasure. When he discovered dubstep, he says, it was all he and his friends would talk about and despite being part of the 'protest generation' and going to Goldsmiths, one of the institutions most threatened by the coalition's cuts to arts education, Blake didn't even look up for long enough to vote at the last election. He's far from humourless, but committed to his music to the point of tunnel vision. The album is exactly as it was when he made it in his bedroom he rejected the record companies who suggested he re-record it with a producer. Taking Wire magazine-friendly music to listeners of the Chris Moyles show isn't on Blake's agenda however. Yet the album's beauty glitters from end to end, and under the layers of pitched and distorted vocals (all by Blake), there are thoughtful lyrics and glorious tunes вЂ“ rarely dubstep's strong point. The Wilhelm Scream capsizes a conventional soul ballad into a sea of distortion and sub-bass Lindesfarne I is just a choir of vocoders and stretches of silence. Combining Blake's mournful vocals with dubstep dynamics вЂ“ house-quaking bass, cathedral-sized echo, vertiginous drops into the sonic unknown вЂ“ it's an extraordinary record by any standards, and his self-titled debut album goes even further out there. In fact, all eyes are on Blake's 6ft 5in frame, particularly since Limit To Your Love, a cover of a song by Feist, went from underground anthem to the B-list at Radio 1.

#Limit to your love piano free#

He's free to release his deeply weird music without being expected to attain the commercial heights of previous winners such as Mika and Adele. Jessie J was the winner, Blake came second, so the pressure's off. It's the day the winner of the BBC's Sound Of 2011 poll is announced. Let me know where I can purchase this! Thanks :) Comment by DANTДownload needed.J ames Blake walks into the room munching a beetroot and goat's cheese sandwich, a gangly, youthful mixture of suspicion and self-confidence.

Is this track available for purchase somewhere? I'd love a higher quality file to play in my set! I'd love to support the artist. Great work like like like рџ‘ЏрџЏ»рџ‘ЏрџЏ» Comment by DJ Ileum Never gets old! Comment by Faith Comment by Zema Art рџЋЁрџ•¶Д«eautiful composition of piano, vocal and base! Comment by Hector J Armeida Is there somewhere I can buy this? Comment by ChaseClemen

'DB - Limit' I just couldn't find where to buy his track,so i made this similar version for me to play.ДЄmazing everytime gets me Comment by JustJax The original idea actually belongs to DB.